… did they really put dodonpachi dai-ou-jou on a general audience top 100 list?! in the top 20!!! mind blown

Isobritannia? Is that regular Britannia with the hydroxyl group attached in the middle instead of the end?

Elementary school ystael spent a lot of time on Pinball Construction Set on the C64. I think I always turned the physics up to max speed minimum friction, so scoring on my tables was more about flailing and blind luck.

My favorite C64 game, though, was one I didn’t get to play often because I had to borrow it from a friend. (Didn’t know about cracking yet.) That was Ultimate Wizard. The platform physics were kind of terrible compared to Mario, but I loved the way each level was a tiny puzzle-maze, with different treasures moving different blocks when you grabbed them, and one magic spell - just one on each level, out of ten or so - to help you deal with the enemies. And my favorite thing in every game: a level editor! No, my levels weren’t good, they were awful. But I loved laying out the little bricks and skulls and fires anyway.

Put a shocking amount of time into Unicorn Overlord last week.

I think they executed the cross between Fire Emblem and Ogre Battle very well. Squad composition makes up for the lack of individual customization that is typical of the FE lineage of strategy RPGs (as opposed to the FFT/Tactics Ogre line). The overworld management is a fun exploration side activity that isn’t as time-consuming as Three Houses’s social stuff. Basiscape brought its usual excellent soundtrack, and Vanillaware their usual impressively detailed art. Plot is whatever, I don’t play these games for the plot, I play them to make anime sprites stab each other so numbers go up. So, yeah, it’s fun.

(No, I don’t actually like Disgaea that much, mostly because “figuring out how to break the game is the game” doesn’t appeal to me.)

If the head needs to be empty, I find that droney Japanese noise is the best way to get that. Example: Aube - Flare

Lots of great sf/fantasy authors mentioned already, including some I’d argue for as great writers regardless of genre (Ursula K. Le Guin, Gene Wolfe, N. K. Jemisin).

I have three more to suggest in this genre and from this period:

• C. J. Cherryh (Cyteen, Foreigner series, lots more) uses the lens of alien societies – just different enough from ours – to make us look critically at the structure of our own;

• Sheri S. Tepper (Grass, Raising the Stones, The Gate to Women’s Country) carries one or another of the dark currents underlying our culture to its horrifying conclusion, and shows us what we get;

• Lois McMaster Bujold (Vorkosigan saga) gives us a hilarious and improbable hero who utterly transcends his disabilities, in the end perfectly embodying what it seems he could never hope to be.

Was hoping someone would mention Shadow Hearts and Wild Arms! The PS2 truly was the janky AA JRPG console of all time. Also don’t forget

• Shin Megami Tensei: Nocturne
• Digital Devil Saga 1-2
• Breath of Fire: Dragon Quarter
• Stella Deus
• Magna Carta: Tears of Blood On second thought do forget this one

Monster Hunter World is five years old and holds up great.

• bask in the sun halfway up the Ancient Forest with a Tobi-Kadachi (giant white electric flying squirrelsnake; chill until you hit it)

• climb up to the top of the Coral Highlands cat colony and watch the sky jellyfish float by in the sunset

• share a hot spring with snow monkeys in the Hoarfrost Reach

They did a great job of making the maps feel like a living system that goes on while you’re not there. (Sadly, this is much less true of the newest MH game, Rise, where the maps are full of traversal puzzles but the wildlife pretty much all exists only to attack you.)